Global Streaming Platforms: A 3-Year Comparison for Independent Filmmakers

The streaming landscape is constantly evolving, and understanding it is essential for independent filmmakers who aim to distribute their work and reach a wider audience.

Here’s a breakdown of the top 10 streaming platforms over the last three years, with numbers that show the shifting trends between Subscription Video on Demand (SVOD) and Ad-Supported Video on Demand (AVOD) platforms. By examining these numbers, filmmakers can explore potential platforms to distribute their content, taking into account both paid and free models.

1. YouTube (AVOD/SVOD)

  • 2022: Held an impressive 14.5% of global viewership, driven by user-generated content, free access, and YouTube Originals.

  • 2023: Increased to 15.3% as YouTube Shorts and live streams became more popular.

  • 2024: Holds 10.4% of total streaming viewership. For filmmakers, YouTube remains the most accessible platform with its ad-supported model, allowing creators to monetize without needing subscriptions​(statista)​(cinemablend).

2. Netflix (SVOD)

  • 2022: Dominated SVOD with 6.9% of global viewership, fueled by originals like Stranger Things and Squid Game.

  • 2023: Grew slightly to 7.5%, thanks to titles like Wednesday and The Crown.

  • 2024: Now at 8.4% of viewership. For independent filmmakers, Netflix remains a prestigious option, though it’s highly competitive​(cinemablend)​(cloudwards).

3. Amazon Prime Video (SVOD)

  • 2022: Held 2.8% of the streaming market, boosted by major releases like The Boys.

  • 2023: Climbed to 3.1%, continuing to benefit from being part of Amazon’s ecosystem.

  • 2024: Now at 3.4%. Amazon’s global reach makes it a great platform for independent filmmakers looking for distribution, especially with its self-distribution tool, Amazon Prime Video Direct​(statista)​(cloudwards).

4. Hulu (SVOD/AVOD)

  • 2022: Accounted for 2.4% of global viewership, largely in the U.S.

  • 2023: Marginally increased to 2.6%.

  • 2024: Sits at 2.7%. Hulu's dual model (ad-supported and subscription) is appealing for independent filmmakers aiming for exposure in the U.S., where it’s a key player​(cinemablend).

5. Disney+ (SVOD)

  • 2022: Started strong with 1.9% market share, thanks to Marvel and Star Wars content.

  • 2023: Reached 2.0% of total viewership with a string of high-demand releases.

  • 2024: Holds 2.1%. While Disney+ is more focused on family and blockbuster content, filmmakers working on animated or family-friendly projects might find a home here​(cloudwards).

6. Tubi (AVOD)

  • 2022: Grew rapidly, holding 1.7% of the streaming market.

  • 2023: Increased to 1.9%, becoming one of the top free streaming services.

  • 2024: Now at 2.1% of global viewership. Tubi is especially attractive to independent filmmakers due to its ad-supported, non-subscription model, allowing for easy distribution and wide reach​(cinemablend)​(cloudwards).

7. Roku Channel (AVOD)

  • 2022: Held 1.5% of total viewership.

  • 2023: Climbed to 1.6%.

  • 2024: Remains at 1.6%. As an ad-supported platform, Roku offers filmmakers a low-barrier option to get their films in front of millions of viewers​(cinemablend).

8. Peacock (SVOD/AVOD)

  • 2022: Launched with 1.3% viewership, thanks to NBCUniversal’s library.

  • 2023: Grew to 1.4% with live sports and exclusive series.

  • 2024: Holds 1.5%. Peacock is a growing player, particularly for filmmakers looking to release content with a mix of free and paid options​(cloudwards).

9. Max (formerly HBO Max) (SVOD)

  • 2022: Captured 1.5% of viewership, largely due to HBO originals.

  • 2023: Increased slightly to 1.6%, driven by hit shows like House of the Dragon.

  • 2024: Now at 1.4%. Max remains a premium platform for filmmakers, particularly those with high-quality, scripted series​(cinemablend)​(cloudwards).

10. Paramount+ (SVOD/AVOD)

  • 2022: Sat at 1.1% of global viewership.

  • 2023: Rose to 1.2% with major franchises like Star Trek.

  • 2024: Still at 1.1%, Paramount+ is a niche but growing platform, particularly for filmmakers interested in franchises and legacy content​ (cinemablend)​(statista).

FYI for Independent Filmmakers:

  1. Free Ad-Supported Platforms like YouTube, Tubi, and Roku Channel are great avenues for wide distribution without needing a subscription, making them accessible for filmmakers working on tighter budgets.

  2. Subscription-based services like Netflix and Amazon Prime Video provide lucrative opportunities, but competition is stiff. For filmmakers seeking these platforms, focusing on unique, high-quality content is key.

  3. Hybrid Models like Hulu and Peacock offer the best of both worlds, combining free access with premium content—ideal for filmmakers who want flexibility in distribution.

In this competitive landscape, knowing where your content fits best can significantly improve your chances of reaching a global audience and succeeding as an independent filmmaker. Whether you aim for free streaming or paid subscriptions, these platforms offer a wide array of opportunities to distribute your work effectively.

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Aam Anusorn Soisa-ngim

Aam Anusorn is an independent filmmaker and storyteller with a decade of experience in the industry. As the founder and CEO of Commetive By Aam, he has directed and produced several acclaimed films and series, including the popular "Till The World Ends" and "#2moons2." Known for his creative vision and determination, Aam prefers crafting original stories that push the boundaries of traditional genres, particularly in the BL and LGBTQ+ spaces. Despite the challenges and pressures of working in a competitive field, Aam’s passion for storytelling drives him to explore new ideas and bring unique narratives to life. His work has garnered recognition and support from prestigious platforms, including the Tokyo Gap Financial Market. Aam continues to inspire audiences with his innovative approach to filmmaking, always staying true to his belief in the power of original, heartfelt stories.

https://Commetivebyaam.com
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